“What you give is what you get,
But I only give respect,
Where I really think it’s due,
Tell me who the hell are you?”
Sal Roses is a Salvadoran American writer born and raised in the City of Los Angeles, whose parents hail from the Pueblo of Santa Rosa de Lìma, La Union, El Salvador. As a member of the ‘first’ generation of his family in L.A., Roses’s world was one where a survival & entrepreneurial mentality at home often clashed with the systemic nature of American schools, work and life. Before finding himself as an artist, Roses would navigate through violence and abuse at home and his environment, financial instability, and the process of discovering his voice, eventually learning ‘to turn mud into gold.’ He now seeks to influence the world through music emblazoned with messages of confidence, self-reliance, and determination to turn one’s dreams into reality.
1. Who are some of your earliest musical influences?
Parents are always first. They introduced me to Latin music, including cumbias, románticas, and all that good stuff. But it wasn’t until my cousins introduced me to hip hop that I saw the most for myself in the music. They introduced me to Chicano gangster rap, and that’s when I really started to visualize what these artists were going through. I could see it going on with my primos.
2. Tell me about Appetizers, Vol 1. What led you to this name for your EP?
It’s just a taste! And you can’t have the entree without a set of appetizers. It’s a build up to the full course of art we intend to supply. At 3 songs it felt like the perfect follow up to Killing Other People’s Beats The Mixtape (KOPB The Mixtape). Appetizers Vol. 1 also gives me creative freedom to drop a snack whenever I feel like the people are hungry for it. Just gotta stay hungry.
3. Tell me about the Spanish verse in Now; why did you choose to include Spanish in your opening song?
It was very important to include Spanish on this first project. Spanish and English have been equally important in shaping me to the point that it would have been wrong to leave out a verse in the latter. Plus, now more than ever, you can feel the strength of the language; it just carries a little more weight these days.
4. What do you make of Latinos in Hip Hop in 2019?
We’ve been consumers of Hip Hop from near the beginning but have gone mostly under-represented for a while. As a market, the Latino culture is being targeted more than ever before in the music, but it also calls for creatives like us to fill in the missing pieces. There are still so many stories to be told, so many thoughts to be brought up for discussion, deep rooted issues that need addressing. Our true contribution is still being formed and that’s the most exciting part about it.
5. And so, what if Adam ate the apple first?
This is my favorite line in the whole project! Imagine a world where, for all intents and purposes, Adam took that bite instead of Eve. Would men feel more inclined to push for gender equality? Would we want women to treat us differently? I say this as someone who considers themselves a feminist, pushing for true gender equality and not gender overcompensation. To me it’s thought-provoking, like a whole different world can be imagined just based on that thought.
6. Tell me about the drums in Richard’s Drums.
I was making this beat, and my drums were sucking bad. Every single sound before the drums excited me, but when I got to them, they kicked my ass. So I called Richard over, and in like 2 minutes he laid it down. We named the track after him in that moment.
7. Who else would you like to shout out now that your EP is out?
I’d like to shout out anybody and everybody whose been supporting our movement. So much work has been put in behind the scenes just to get to where we are right now. It’s still so small-scale that having true support from people who believe in what we’re doing has been instrumental in creating not just music, but a movement, a mobilization, a future. Thank you all.
To check out Sal’s Appetizers, Vol. 1, find his album on Spotify HERE.
J.T.
