aerial photography of city

Join me this Spring on the Barcelona Barrios Excursion

Dear Los Angeles,

I hope this message finds you well! I’m writing to you today with a special announcement. This Spring, I’m visiting Europe for the first time. In particular, I’m going to the city of Barcelona in Spain for a special opportunity and mission there.

Another port city, or metropolis by the sea, Barcelona was founded by the Roman Empire as early as the 1st century AD. More recently, in 1992, Barcelona hosted the Olympics. As you may know, Los Angeles is set to host the Olympics in 2028 (and before then is co-hosting the next World Cup in 2026).

In turn, developers and government offices across L.A. are preparing to usher in waves of tourist dollars and attractions. The question for urbanites such as myself, then, is clear: How do working-class communities engage these events, especially while so many of our families and households are still just starting to move past unique challenges posed by the pandemic? I believe Barcelona presents an excellent “Case Study” for this question, especially since it’s experienced an overwhelming growth of tourism since 2000 (which some would argue was first ushered in by the Olympics being held there eight years prior).

Additionally, my mission will place me with a Non-Governmental Organization in Barcelona working with recently migrated communities there. My goal is to learn from the barrios these communities have created to consider more about how people across the world establish and maintain ties in new lands. 

Enter the Barcelona Barrios Excursion. I’ll be staying in Barcelona for the mission for five weeks, from April 24th – May 30th. In order to help pay for expenses there, I’m organizing a special package for readers and supporters of my work through Patreon.

With a $25 subscription via Patreon from April through June, you’ll receive at least one photo essay and journal entry per week during my five weeks abroad. This way, we can reflect on the historic city and its challenges as a fellow port city together. My goal is to reach 40 patrons through this offer before April 18th, which won’t be easy, but which I’m determined to reach.

This is because at this point in my work as a storyteller, I’ve spent at least five years discussing and dissecting issues of gentrification and city planning both on my own and along a range of colleagues. Based on the last year of work with Making a Neighborhood, the newsletter from East Hollywood with my good friends and neighbors, I’ve seen firsthand that there are lots of people out there who value connection to “grassroots” and independent storytelling about these lands we have ties to.

It’s thus my pleasure to invite you to join me on the Barcelona Barrios Excursion. For any questions about the trip or the subscription process, please feel free to reach out. And thank you in advance for your support! I look forward to reaching Barcelona with Los Angeles just beside me.

¡Hasta pronto!

J.T.

An Excavation of East Hollywood, Part I

This is the first of a three part series.

All photos are specific to a particular pocket of Los Angeles known as East Hollywood, and are courtesy of publicly available collections at the University of Southern California Libraries and California Historical Society, as well as at Los Angeles Public Library with the exception of two: The first, taken at LACC by L.A. Times photographer B.I. Oliver on March 13, 1969, and the second, taken by J. Benton Adams at Vermont & Santa Monica, circa 1998.

Before Los Angeles was called so by Spanish settlers,“the city” is supposed to have been known as Yaangna village by aboriginal Tongva people, with respect to what we now refer to as the L.A. river. This is according to Cindi Moar Alvitre, a descendant of the Tongva and Cal State L.A. lecturer of Indian American studies. An excerpt from Alvitre’s essay, “Coyote Tours,” from Latitudes: An Angeleno’s Atlas (2015) reads:

“Yaangna was the principal ancestral village that moved along the Los Angeles River for countless generations, before the water was confined and silenced in a concrete sarcophagus, separating the people from that which gives life. In pre-contact times people moved slowly, with the seasons, the food, and ultimately, the water.”

Alvitre also points out that Spanish invasion of the land in the late eighteenth century, which would eventually lead to “Los Angeles,” continually pushed out native or indigenous people farther away from their ancestral lands. For a time, the dispossessed communities found refuge along their ancestors’ storied riverbed. In Alvitre’s words:

“Colonization and missionization accelerated the pace of relocation as native people tried to outrun the colonizers, always clinging to the river…Yaangna became a refugee camp for tribal families seeking some sense of tradition.”

Finally, Cahuenga, the name first given to our special little library on Santa Monica boulevard in 1916, is Tongva for “place of the hill.” And since Cahuenga is also supposed to be related to Kaweewesh, describing “fox,” one can think of Cahuenga as “hill of the foxes.” Of course, more people think of the “Cahuenga pass” in Hollywood when that word comes up, but hey, I guess that does show the link between Humphrey’s Hollywood and our “East Hollywood.”

A few archival images of the area show hilly farsides, both before and up to the area’s time as a major site of lemon groves, hence Lemon Grove Park and such. The rest is history, as they say, although in a past that’s not yet past for our communities. At least, not if we’ve got anything to say about it.

J.T.

In photos: Two years on, from El Salvador to Guatemala, and Oaxaca to L.A., our pueblo lives on

Two years since our first sojourn through familial homelands in central America and beyond, one lesson remains: the need to continue discovering our cuentos in yet more places is as important as ever. Admittedly, this particular time is a difficult one for us to discover more of the world beyond familiar borders, but that doesn’t mean we can’t take some time to learn about the world from afar through a good book; I’d say a good starting point would be Eduardo Galeano’s Open Veins of Latin America. Of course, it’s also said that a picture’s worth a thousand words, so here are a handful. More with yours truly once again soon, Los Angeles. And with hands extended in prayer for all the people of the world during this extraordinary time.

J.T.

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