Better Late Than Never: Educating One Young Hyena in Los Angeles, Part I

Tokyo, Japan; Summer 2017
Tokyo, Japan; Summer 2017

It was 2007, or what was supposed to be my Junior year at John Marshall High. But like most students in the Los Angeles Unified School District that school-year — 48% according to official estimates — I wasn’t set to graduate on time.

Most of high school was a whirl-winding hayride for me, and “the race” in which I fell behind saw me slipping as early as 2004 when I was a Freshman on “B-track.”

At that time, LAUSD still had “track” or rotation systems instead of its year-round schedule, and as opposed to the more pleasant “A”or “C” tracks, “B-track” was supposed to be where “the troubled kids” were at.

But the differences were all the same to me as a Freshman. Almost as soon as I stepped through the gates at Marshall, I looked around — at the teachers and counselors and supervisors — and rolled my eyes with a passion. Like generations of teenagers before me at L.A.’s public schools, I felt at odds with them.

They didn’t know a thing about me, I thought, and yet they wanted to direct my life like if it was their right.

But it wasn’t just that strange adults wanted to teach my teenage mind without knowing anything about me; it was also that so many of the teachers I met seemed worn out by the subjects they were supposed to shepherd us into, and even resentful or downright hostile to me and my peers for being the students assigned to them.

I couldn’t put it into words at the time, but since the first day of class, while my teachers could certainly recite their subject, they had next to no idea why it was supposed to be useful to the students before them. This came off in the tone of their voices as they called our names on the roll-sheet.

One by one like a monotonous record, it’s as if every name they announced was another extension of the hour they had to put up with us; as if they were forced to be there just as much as we were. I could only slouch further into my seat as roll call went on.

Eventually, I knew I’d have to make a choice. I could either go to class and be miserable, or I could just find somewhere else to be. Since teachers and students alike were so disinterested, I told myself, going our separate ways was the only natural thing for us to do.

In the mornings, I’d skip Health and Math classes, link up with some of the handful of friends I’d made over the first few weeks at Marshall, and slither through the hallways with them towards an exit. When we’d come upon a short fence located just a small walk away from the restrooms, we’d jump it with lizard-like sensibilities.

Moments later, we would find a corner nearby, huddle so as not to be spotted, and use the time to chill and “chop it up,” or talk.

For a time, my chosen education was what I learned in these conversations, which were mostly centered around romances, “beef” or trouble with other kids, and occasionally, what we might truly want of ourselves apart from escaping our classrooms.

We’d have these conversations in our adolescent voices, filling them with our “benign” adolescent ideas, but the dialogue we created in the experience still felt more genuine than any I could engage in with either my teachers or counselors at the time.

Around noon, when the bell for lunch would ring, my peers and I would jump the fence back to school for the day’s meal.

Following lunch, we’d just ‘coast’ through the last two periods of the day. And when the final bell rang just before 3:30 PM, we’d dash past the doors of our classrooms and race through the gates towards the street. I thought I was so cool,

But fast forward to nearly three years from that first, disoriented semester in the high school landscape, and my goal wasn’t to get out anymore, but to get back in; at sixteen years old, I sat in the dean’s office at Marshall pleading with Mr. Cook to give me a second chance back into the school.

The time since Freshman year had slipped past me as quickly as my body had slipped past Marshall’s fences. In less than three years, I ricocheted across four different high schools after being expelled from Marshall during my second semester for too many ‘truancies,’ “F” grades, and other offenses.

The clock was ticking, and I could finally appreciate the fact of it, but the question between me and Mr. Cook in his office was clear:

Was it too late?

Seated in the same chair from which only two and a half years prior I’d stare down at an expulsion, I assured Mr. Cook that in fact it was not too late, and that I would “be good” for a second chance indeed. He looked at me then, and I returned his glance in kind.

At the time, Mr. Cook must have been approaching something like his mid to late forties, punctuated by the fact that he was in the early stages of a balding process, and which also showed in his calm demeanor as I made my case to him. There was an earnestness in his demeanor, and when it came time for him to decide, Mr. Cook didn’t quite give me a smile, but he did have this look of resolution on his face; like when a person realizes they’re going to get rid of someone by giving them exactly what they want.

I was back in.

I was given a second chance at Marshall in 2007 three years after wanting so desperately to get out. But there was one catch.

In the second half of the 2006-2007 school-year, I was behind on an entire year’s worth of credits, meaning that I was a Sophomore when I should have been a Junior, and that I would be a Junior when it was time to be a Senior getting ready for graduation.

The likelihood that I could graduate on time was thereby slim, but like generations of young people at L.A.’s schools before me, as the prospect of a basic education flailed out of reach, I took my chances.

After all, at that point, with so much time away from Marshall despite starting there, I was just happy to be back at my home school. I could sit in Marshall’s classrooms again, and this time, start off on just the right note.

When I first got back, I was re-entered into “A-track,” which was colloquially known as the track for “the smart kids” because it contained the school’s Magnet or advanced classes.

I was originally a B-tracker when I started at Marshall in 2004, but on A-track in 2007, I did just what was needed: getting to class on time, turning in my homework and assignments, and otherwise keeping a low profile.

There was only one problem: I didn’t know or very much like any of the A-track kids. The A-track kids usually came from the uppity sides of town like Los Feliz, Atwater Village or Silver Lake, and it showed in their lingo; they spoke in much “cleaner” or complete sentences than my friends and I, and therefore lacked any sense of coding or subtlety for good measure. In other words, they were like, ‘totally,’ white-washed.

At the same time, since the A-track kids all knew each other, they invited each other to one another’s house-parties. I’d never known any of my old friends to have houses, which seemed like weird extravagances to begin with, but then when the A-trackers would talk about them in their totally complete sentences, I just felt more out of place.

As the months went on then, although my academics on A-track got me off to a strong start back at Marshall, I lobbied mom to help me get back to “B-track,” where the lot of my friends from the old neighborhood were.

I figured that being back around so much of the old crowd wouldn’t prove to be that much of a challenge, but once I got the chance to see for myself, it wouldn’t be so simple.

In the fall season at the start of the 2007-2008 school year, in what was my second semester back at Marshall, mom and I got me back to B-track, where the rabble-rousers and old friends were at.

My schedule subsequently turned into a mixture between two types of classrooms. In one period, I’d find myself with students who were right on schedule with their graduation date, and in the next, with my old peers again, most of whom were not set to graduate on time.

Apart from graduation though, it was personally reassuring to be back in classrooms with students who knew the same corners of the neighborhood that I did, and who walked into class with the same gusto; it was this very familiarity that I was looking for when I asked Mr. Cook to let me back in to Marshall to begin with.

To no one’s surprise though, when my old peers and I found ourselves reunited again, we’d make a ballad of it. I rabbled with them not in each and every class where we’d reconnect in again, but just in the ones that met the right conditions.

In English class, for example, where we’d have a different substitute teacher every three days because our actual teacher was constantly dealing with health problems, my friends and I ran circles around the subs with the age-old antics: spitting paper-balls at one another, writing letters to the romances, and unifying against most, if not all of the subs’s agendas.

As it was in Freshman year, if substitutes came in to establish authority over the class, my peers and I weren’t having it. But unlike in our Freshman days, instead of resenting our subs and making our way out of class, this time my friends and I simply laughed them out of the room. We had learned.

By contrast, when it came to Geometry class, I still joked around with the few of my peers who sat in the room with me, but just on occasion since I knew I couldn’t afford to fail and retake the course later.

In my Programming course, where I had none of my old friends alongside me, I was in the top tenth percentile of the class.

I had different types of performances then, but because I opted to joke around with my old gang in classes like English, my strong start back at Marshall was om precarious footing.

Two months into the 2007-2008 school year then–which was by then also supposed to be my last at Marshall–I was still not projected to “catch up” on enough credits graduate on time.

And soon, the two types of performances I was putting up since returning to B-track would have to come to terms with each other. This would be no clearer than in History class with Ms. Hart.

Ms. Hart was an older Jewish woman with curly gray hair in the History department at Marshall. There wasn’t much that was extraordinary about her as a teacher, but like so many of the disinterested types from my Freshman year, she was clearly just not a big fan of her job.

Classes like History at Marshall were a traffic jam, with ay least 30 students to the room. There were also virtually no Teacher’s Assistants for History, and since it was a subject riddled with events and timelines that seemed to speak little to the present moment, it was easy to derail lessons into debate about what actually was and wasn’t important for us students to know in the present day.

By then, it also must have been Ms. Hart’s tenth year with the subject–if not longer–and so she had plenty of reason to be exhausted.

But along came me and my peers like a pack of young hyenas, and all we saw in her weariness was a green light for our coordinated folly; even if we were in the later part of our teens at that point, and even if we could still graduate if we “just put our minds to it,” the fact of the matter is that most of us didn’t want to hear about graduation because we were resigned to the prospect of not graduating.

That’s where the complication lied; even though I identified with so many of my peers being behind on credits, replete with the anticsg of it all beside them, I still personally believed that I would somehow manage to graduate just in the nick of time.

Sure my grades were mixed since I’d gotten back to “B-track,” but even if I joked around like it didn’t matter to me, there was a resounding belief within me that I could and would still make it happen somehow.

I’d feel good then as I’d walk into Ms. Hart’s classroom with a mischievous smirk on my face, ready to rile up some rowdiness and turn in just enough work for a “C” grade.

At two months in her class, I showed her that on the one hand I was capable of any of the assignments she gave me, just like when I was on A-track. On the other hand, I also showed her that I was even more prone to getting carried away joking with my friends at the expense of the lesson plan; a true B-tracker. This contradiction would only get me on her bad side.

Ms. Hart’s class took place during fourth period, and I remember the one late morning when I got to our classroom early and she wasn’t in yet; I kicked my feet back on the desk, hollered at ‘my boys’ as they made their way in, and prepared for another hour of casually sabotaging the class.

A moment later, when the bell rang for fourth period to start, Ms. Hart walked in curtly, scribbled a few instructions for an assignment up on the board, and took a seat at her desk.

She then pointed at the board without saying a word; it was her way of telling us that that she wasn’t the one to be clowning around with that day.

When I registered this, I made a half-hearted attempt at abiding by her request, but my effort didn’t last long. Within some ten minutes, I crumpled up a piece of line paper down to a tiny paper-ball and set my sights on my old friend Brian a few desks away.

Brian nearly always got a kick at even a hint of disorder in class, and the sound of his laughter was usually so contagious that it nearly always served as the spark which lit up the rest of the belly-aching throughout the room.

I then flicked the tiny paper-ball towards Brian, which patted against his cranium and floundered across the floor. His infamous cackling proceeded to bellow out, and predictably turned the other heads of the class in our direction.

But this time, Brian was hardly at the outset of his laughter before Ms. Hart’s eyes shot up from her desk and fixed their gaze on me with laser-sharp focus. Ms. Hart then proceeded to march towards my seat, and I gulped, knowing that one way or another: it was coming.

Ms. Hart would go on to call me out that day. About how I never took anything seriously. About how life wasn’t just some big joke. And about how she actually knew just why I was such a clown.

By then I was used to hearing the first two statements from her, but the idea that she suddenly knew something about my character was different.

Maybe she had discovered some part of me that perhaps even I didn’t know about at that point; her words both perplexed and engaged me.

And so I asked Ms. Hart then, half in curiosity and the other half in a type of defense:

“Well, just why am I such a clown Miss?”

That’s when she slammed me with it:

“It’s because it’s clear to everyone that you won’t be graduating on time.”

For a moment I was astounded at the certainty in her voice, and unsure if I could trust what my ears had heard. So I asked Ms. Hart just what she meant by what she said. That’s when she repeated from the high tops of her lungs:

“IT’S OBVIOUS TO EVERYONE IN THIS CLASSROOM THAT YOU’RE A CLOWN BECAUSE YOU WON’T BE GRADUATING THIS YEAR.”

After months together, she had finally gotten my full attention, even if it was only by hurting me that she could do so.

I didn’t say anything to Ms. Hart for a moment, choosing instead to just shrug off her words until I could finally muster,

“Okay Miss, if you say so.”

But I remember going to lunch that day feeling broken.

Ms. Hart hung me out on a limb in front of everyone, and suddenly the gravity of being a year behind on my credits weighed in on me like the tagging or writing on the walls that filled so many of the school’s restrooms.

It didn’t look good, and if I didn’t do something about it fast, Ms. Hart would be right, just as Mr. Cook would be wrong for allowing me back in to Marshall in the first place.

Only then did it dawn on me that I had a choice to make a again.

J.T.

Show and Tell: The Sock-Puppet

I will never forget the anguish I put my mother through as a child. So many dreams. Dreams that are memories now and also pain mixed up with love and a desire to let them be known.

I remember the sock-puppet for show and tell. It was a cloudy afternoon when the dim orange lighting of the kitchen washed over the peeling walls as I begged and pleaded with mom to help me with my show and tell project.

I needed something to show. Mom worked in needles. She worked in sowing, in making something out of nothing but a string of yarn. She agreed to help me then, making my anguish into her anguish as the hours seemed to trap both of us in their midst. It was still early in the afternoon when I sidetracked her with my last minute request, and we could take the whole evening if need be, but the next day still loomed like the clouds through the windowpanes, into our souls and slowly more coldly.

As night encroached I didn’t know if we would make it. All I could feel was my heart pouncing as time managed to swerve right above our every angle and motion.

Mom kept her personal sowing machine in the kitchen, and it didn’t dawn on me that she did so because that’s where she could get more work done for her shift at the garment warehouse the next morning. It didn’t occur to me that she had already had an eight hour work-day by the time I made my request to her, and that she had already picked us up from school, and that she had even managed to prepare dinner for us to curl into the evening with our bellies full.

All that dawned on me was my show and tell. The sock puppet needed to be real, and to come alive like the ones on Mr. Rogers’s. I needed to be able to hold my puppet, and to tell its story like an expert.

So I went back and forth between the kitchen and the living room checking on mom and her hands at work, keeping an eye on her angles as she shaped the dimensions of the puppet underneath the magic needle. She gave life to my dream on that day, which was also my pain, in one of the earliest instances of a lifetime of last minute races against time and everything that seemed possible that I’d embark on with her. We would share anguish over each other and one another’s fates through the course of many years in this manner. Years which would also seem to dash just above our heads as we scrambled to meet them with our best minds.

Before late into the night, mom stretched the hands and legs of the tiny sock-puppet before my eyes. I remember looking at it in that moment, as if to look into the depths of imagination itself, and feeling at once that it wasn’t like what I expected.

Made purely of black yarn, it didn’t look like the sock-puppets from Mr. Rogers’s. And it barely fit through my hands. I also couldn’t move the legs if my fingers were placed through the puppets’ hands, and likewise couldn’t move its hands if my fingers were placed through its legs. At least, not in the seamless way that appeared to be most right.

What’s more, our sock-puppet had no face. It was just the figure of a body, but it had no personality.

I barely mustered a thank you to mom before taking it from her hands then, as I figured that I could maybe still make it work, if only I gave it some eyes and some lips and a nose. I then retreated into the living room with the soft garment in my hands, placed the puppet’s body down on the plastic table where my brother and I did our homework, took some scratch paper out of my backpack, and set out to give the tiny figure its rightful personality.

I won’t ever forget the face I would forge on the sheet then, because it was the most natural face that came to mind in that moment; the only one in the entire galaxy that I could draw with some ease. After cutting out the circle of paper that we’d glue onto the figure’s circular-shaped head, I gave the sock-puppet curious wide eyes, brimming bright eyelashes, a roundish nose with just a small lumping tip at the end, and a set of large, wise lips. It was the face of my mom.

Even if the figure wasn’t quite what I expected then, I would still have something to show for show and tell. And my mom’s face before my anxieties–just as her hands motioning through the darkness of the night to still save the day–would remain with my memory through a lifetime; every dream come true for me now is only an extension of everything possible through the tiny sock-puppet with her eyes.

J.T.

Four Years of JIMBO TIMES the L.A. Storyteller

JIMBO TIMES began just a little over four years ago following an epiphanous walk from my mom’s newsstand on Santa Monica boulevard the evening of August 19, 2014. It was near mid-night when the idea took hold of me, and I can still remember crawling from the apartment bedroom into the bathroom with the same laptop I write these words on now to spill out an ode to the city I call home.

Four years later, with the Back to School Party, a day of art, workshops and music for youth and families in my neighborhood less than a week behind me, I can think of no better place to be with J.T: The L.A. Storyteller.

If I’m fortunate enough to get four more years of this magical glitz through the stars, the idea is to do so not alone, but alongside more of Los Cuentos. Not only Los Cuentos, the shirts by Jimbo Times, but also with Los Cuentos de nuestro pueblo, Los Angeles.

What do you say, L.A? Do we dare dream of what could still be, might be, or should be if we only put our minds to it?

J.T.

It’s Been Ten Years of Writing in Los Angeles

Marveling at the Times; Spring 2018

It was ten years ago that I found myself at home in the living room wondering desperately about what the future held for me. I was seventeen years old, just graduated from high school, and anxious to get through the summer ahead of me. I felt terribly alone, disassociated from the friends that I’d known, and unsure about how on earth I’d get through the high temperatures that dominated so many of the days from the early hours of the morning into the evening.

Then one day through the heat, I sat myself before the desktop we’d had in the living room at the time, opened a blank document, and began to write, etching the heat I felt on my back onto the screen for the record to see. I wrote like hell that summer, and the results were strange, not in an ominous way, but in an altogether new and mysterious way. What I saw reflected on the screen was somehow alive, even if ‘frozen’ in time. It was myself, like some other half from an alternate universe, staring right back at me through the page.

I remember that I was reading a lot of Philip K. Dick at the time, which made it so that my mind was especially warped, and which came off in my entries to the page–a lot of existential identity stuff. But I also remember that since I still had a bit of HTML programming fresh in my mind, after a few sessions of writing on the desktop I decided that I couldn’t keep my texts on just any ole blank document; I had to design a proper little website for them all.

So I put together the fonts and their sizes, downloaded some cool images for background off the web, activated the links, and launched it. I would name the private little website that I’d come away with through this process Revolt Radio (RR).

There were three main components of RR, that is, in terms of the writing that would make its way through it.

First, there was the Current page, which functioned like a stream for all of the miscellaneous thoughts or ‘summaries’ of the days I had, and which thereby filled up the fastest.

Second, there was the Poems page, where I hid all of my hymns, letters, and other ‘confessions’ I could never muster up the courage to publish for any eyes other than my own.

Finally, there was the Stories page, where I stored all of my ‘science-fiction’ writing, based loosely on none other than yours truly, but also on the accounts I’d heard from my peers back at Marshall.

Even at seventeen, a part of me wanted to write something of an autobiography, but because at the same time I also aspired to be a sci-fi writer like the great PKD himself, my Stories page featured tales both on a personal level as well as on more abstract terms, although the latter was just a ‘stranger’ version of the former.

In turn, Revolt Radio got me through that first summer out of high school, its pages receiving worlds that I couldn’t even begin to describe to anyone else. The pages didn’t judge me for what those worlds contained or what they lacked, nor did they disappoint me, or demand anything of me at all.

The pages were acceptance in its purest form, but filling them up was also a matter of survival; in writing my heart out I made it clear that I wouldn’t allow the world just to pass me by. Then, in seeing my words put together like those of the novels by famous authors which I’d hold in my hands, I had proof that my beliefs were also more than just feelings, but articles with their own lives which could stare right back at me unafraid.

I treasured the little alternate universe of Revolt Radio so much that for the next six years, I would continue writing through the site, making and remaking its pages until the time came for me to culminate onto other platforms.

Today, I’ve got another little set of pages, which are public, but even now I look back at that frightening little summer from ten years ago with tremendous gratitude for spawning RR, the site; in staring at me now as vividly as they did ten years ago, the pages make me all the more fearless for what’s in front of me in the days to come.

If we’re fortunate enough, to another ten years Los Angeles,

J.T.

Note to Self: On Writing One Day

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Transit riders are like most people too. And they can also be literary writers! ^.^

Writers are like most people: always in transition, always in one place before the next. Sometimes we can express that, and other times we have to wait a little while before doing so; we’re always writing, however. Whether we make our experiences immediately into text or not, our thoughts are a current from which nothing ever really disappears, but where experiences only transform into something else at another place and time for us to draw from.

When your time arrives, you’ll know –or your fingertips will know– through the same magical process that leads you to walk out and face the world each morning. And you know that feeling, and how it will be more than just beautiful. You know how it will make up for every moment of the merciless drought, when –even if only for a moment– you’ll be the greatest writer in the world: the one which everyone’s been waiting for; or at least, the one that you’ve been waiting for.

One day. One step at a time.

J.T.