RAISING OVER $150,000 WITHOUT PAC MONEY IN L.A.


Thanks to matching funds! Los Angeles, meet Ysabel Jurado for Council District 14.

(02:15) What is Council-District 14? Which neighborhoods does it include?
(03:42) Ysabel is another Highland Park native and graduate of Immaculate Heart High School
(05:38) Sharing the Highland Park area with Council-District 1, which takes the side south of York Blvd
(06:49) The reason Ysabel decided to run for this seat was to fight for her community (back in August 2022)
(09:33) What Ysabel’s hearing from community members about city politics
(11:39) Ysabel’s experience as a Tenants’ Rights Attorney fighting evictions during lock-down due to COVID-19
(13:06) On Social Housing in Los Angeles as a part of fighting the housing crisis
(14:52) Support the Eastside Cafe, which is fundraising to purchase more land back for El Sereno community
(17:20) Council-District 14 has the highest number of eviction filings out of all the districts; we need to enhance renter protections
(22:41) According to the National Low Income Housing Coalition, since the median rent for a two-bedroom apartment in California is $2,197, the median or minimum wage should be $42 an hour
(25:21) Ysabel has raised more than $150,000 for her campaign without PAC or corporate money
(26:18) What would Ysabel do with millions of surplus money in CD-14? Also, my humble Patreon plug!
(29:12) Protecting small, legacy businesses, including in Boyle Heights
(30:01) Dealing with resentment and frustration from community members re: resources for unsheltered folks
(34:58) L.A.’s Planning and Land Use Management committee accepted an appeal in Boyle Heights over Tiao Development’s proposed destruction of legacy businesses on Cesar Chavez Ave. to build market-rate housing
(39:14) Dealing with jadedness on housing and the idea that working-class communities cannot win against developers
(41:16) How Ysabel would serve on L.A.’s Planning and Land Use Committee
(43:04) Ysabel’s roots as a Filipina-American and how they inform her sense of land and stewardship rather than ownership
(45:27) Explaining how Tiny Homes are actually NOT housing
(50:40) How Ysabel will not allow for her identity as an Asian-American to be used as a “racial wedge” between her and Latinx communities
(52:28) At just over 50 days before mail-in ballots reach voters, what’s Ysabel up to?
(54:22) Follow Ysabel Jurado’s Campaign for Council District 14 on Instagram at @ysabeljuradola.

To make a one-time donation to my fundraiser for the 9th anniversary of JIMBO TIMES, please do so through jmbtms.com. To support the production of J.T. the L.A. Storyteller Podcast, please check out my PATREON.

J.T.

EPISODE 103 – FATIMA FOR ASSEMBLY DISTRICT 65 IS CLOSING IN

Fatima Iqbal-Zubair returns to the show on a very special day, her birthday! We discuss the roots of her two-year campaign for Assembly District 65 (formerly Assembly District 64) in Watts’ schools, including her seven years with the Robotics team there, as well as the final push for donations to her grassroots campaign leading up to Election Day; Assembly District 65 is on the south side of Los Angeles and includes communities in Watts, Willowbrook, Compton, and more. You can learn more about her campaign at fatimaforassembly.com and follow her on Instagram at @fatimaforassembly.

J.T.

EPISODE 86 – BRYANT ODEGA FOR COUNCIL DISTRICT 15

In our 86th episode, we connect with Bryant Odega (@BryantOdegaLA), a born and raised resident of the Harbor Gateway neighborhood of L.A.’s south side who is now running for council district 15, which includes the neighborhoods of San Pedro, Harbor City, Harbor Gateway, Wilmington, and Watts. Bryant and I discuss his upbringing as the child of a single-parent household, his study of the labor movement at UCLA, and his transformative experience as a part of the Sunrise Movement. Bryant also discusses disparities in quality of life rates for the areas of Watts and Wilmington and particular, including food apartheid in the former, and more than 2,700 oil and gas wells in the latter. Finally, Bryant shouts out legacy organizations such as the Watts Initiative, which continue to uplift the neighborhood despite ongoing disinvestment by the city of Los Angeles.

J.T.

EPISODE 77 – KENNETH MEJIA FOR CITY CONTROLLER

For our 77th episode, we sit down for a chat with Kenneth Mejia, the millennial Filipino-American who is trailblazing in his race for the L.A. City Controller’s office. Kenneth and I discuss his upbringing in Los Angeles as the youngest of a single-parent household in the San Fernando Valley, as well as how he came to develop a passion for budgets over a decade, leading to his and his community’s special attention to the L.A. City budget today. We also discuss the actual meaning of “defunding the police” as it relates to public safety, as well as how folks out there interested in supporting his campaign can get involved. A can’t miss-session for voters everywhere in Los Angeles, but especially those in SFV, K-town, and then some.

J.T.

Music in L.A. with Jon Quest

“My roots are stronger than they’ve ever been,

I think it’s time I branched out.”

JON QUEST tells a Cuento. As an L.A. bred artist with a passion for music as a motivating force, there’s a distinct quality about what he does with his music that anyone who can place just a few things into perspective will appreciate: Los Angeles is one of the entertainment capitals of the world, music is a major part of that ‘capital’, and Jon plays an active part in these worlds by creating his own, original content, posting it up for free online for virtually anyone who wants to hear something other than the mainstream. This is no easy task, but considering that his music is also in the mix with industry giants, not to mention artists from across the country and all over the world, I had to stop, reflect, and ask Jon a few questions for The L.A. Storyteller:

1. What is one of your earliest musical memories?

Basically anytime I was helping around the house with cleaning, handiwork, yard work or cooking, music was there. My parents both had very extensive music collections on cassettes, including CDs and Vinyl, and so I grew up listening to Al Green, Marvin Gaye, Parliament Funkadelic, the Isleys, Earth Wind and Fire, and other stuff like what I remember from riding in the car with my folks.

2. What is it about Los Angeles that makes it a special place to be for music?

As a teenager, I remember when I first started noticing that a lot of things I saw on TV were filmed or based right in the city, and feeling a kind of pride in that. My parents would also tell me about where certain events took place and other memories of the city and I loved soaking up the history too.

Now, I see Los Angeles as just a hub, filled with all kinds of chill people who work on our own time; the weather is always great and that helps with productivity and the mood.

But at first I actually resented L.A. for being such a hub, leading to all kinds of people moving out here and raising the prices of everything around me and my folks. It actually got to the point to where I couldn’t find a job out here after high school, leading me to move away for about six years until I got major homesickness. I used that feeling to get myself back here and now I’m loving L.A. and my work in it again.

3. When and how did you begin rapping?

I was actually working on becoming a musician before I began rapping. Somewhere in middle school I really fell into alternative music and when I got to high school that evolved into a love for punk rock, which led to me being a part of a few different bands in my teens. Eventually I had been in a punk band called “Nobody Good” for about three years when I ran into some old childhood friends of mine. Catching up with them I learned that they had started experimenting with music too, though with rap and hip hop; I started hanging with them, listening to B.I.G. and Nas, and sooner than later started trying to rhyme like them. All of it led me to evolve into the artist I am today.

4. How do you construct a rhyme?

My rhymes have become very personal. I used to sit down and actually structure verses out, and sometimes I still do, but nowadays I feel like I have so much to say and when it starts to come out I do my best to give it room to freely flesh out. The feeling I get from an instrumental is crucial to me; the vibe of the beat really helps me find myself and the direction of what I have to say. I also write rhymes without beats and even freestyle with friends once in a while. I just try to stay busy and on top of everything so that when inspiration strikes, it finds me working and ready to listen and communicate what the muse is telling me.

5. What does rapping ‘do’ for you; as in, how does it affect your emotions?

With some of my best verses, I feel like it wasn’t something I did alone, but like they came from some unknown place for me to be like a vessel or tool of the universe for translation. I’ve learned a lot about myself with music and the people in it, and now I just want to make music that supports others with the same. Music is a tool for getting to know yourself, and I believe that getting to know yourself is the number one way to finding happiness. You have to know yourself and love yourself before you ever have a chance at getting to know someone else or loving them, and to me that’s what my music is about, or what it does for me.

6. How long did “The Girl Tape” take you to complete?

About a solid year. Around this time last summer, my (roommate/Producer) Ashley (Brown), started making these instrumentals using some sampling techniques he was exploring at the time. One day he came into my room and said he wanted to drop a project called ‘In My Feelings,’ and if I wanted to be on a few songs. We worked in that direction for a solid two months or more, but then Drake dropped ‘Scorpion’ with the song, “In My Feelings”, which went viral with the dance and everything and which also killed our vibe for that title; we had to pivot then and essentially kind of simplify everything.

We picked the strongest songs that sounded well together and focused on them. We talked them out, I wrote a few versions of a couple songs on the list and tossed them out, and once we finally began to “hear” the tape and realized the meat of it was about relationships, we came up with the name ‘ t h e g i r l t a p e ‘. The rest was fairly simple: I reached out to a few graphic designers for visuals and sought out someone to mix and master the songs. That’s where Sal Diandria gets into the mix. I was sold that he was the guy to help complete ‘ t h e g i r l t a p e ‘. I re-recorded all my verses at his in-home studio. The rest is history. We released it this past September on Bandcamp.

7. What can listeners expect next from Jon Q now that The Girl Tape is out?

I’ve always been a fan of dropping songs on SoundCloud, so we have a few we’re planning on releasing there. Our next project, entitled ‘ W H I T E B R O N C O, ‘ is what we’re trying to release on all streaming platforms sometime early next year. But I’m always down to talk and feature with someone else on the grind as well. The hustle continues.

8. What words of wisdom would you share with a young aspiring artist today?

If you’re young and reading this for some reason, I just want to tell you to be yourself. Get to know yourself. Learn about your bad habits and learn from your mistakes. Stay humble, don’t worry about what others have and what you don’t. Just do the right thing and try to keep that Positive Mental Attitude because that shit is crucial. Find what you love and chase it with a passion. Let whatever you love consume you, drown yourself in it, and find yourself.

To listen to Jon Quest’s latest release, The Girl Tape, find it for FREE on Bandcamp HERE.

J.T.