Heleo Levya, Lead Community Gardener, Bids Farewell to Madison Ave Community Garden

Dear East Hollywood, Virgil Village and Neighboring Communities,

When a group of us started the Madison Ave Community Garden during the summer of 2019, our team had major challenges concerning soil quality for the garden, as well as several design and policy decisions to make for the space. As the lead gardener, I volunteered to cultivate over 700 square feet of soil in order to develop better planting and organizing space for the communal plot area, also known as the area for local residents to come and grow their own fruits and veggies. I also filmed and edited a bunch of videos about this process, which you can find at the Provost Kitchen on YouTube.

The Madison Ave Community Garden, like 42 other community gardens in the city of Los Angeles, is overseen by a board or group of three to five community members. As a board member, my primary focus was to make the Madison Ave Community Garden an accessible site for the working class Latinx, Asian, and other BIPOC communities that make up East Hollywood. This is why when I learned that of the available community plots for the garden, over 70% of them were taken by white residents, I sounded the bell and noted to fellow board members that it was important to be more inclusive.

Small plots coming to life at Madison Ave Community Garden in East Hollywood – April 2020

I then submitted and ensured passage of a motion to include Spanish in all social media posts. Prior to this, all social media for the garden was published only in English. I also submitted and ensured passage of a motion seeing to it that the next chair/vice chair position be held by a Latinx person, in order to be more reflective of the Latinx residents who make up the East Hollywood and Virgil Village areas. Finally, I created a new position on the board known as the Community Outreach Coordinator, whose goal is to find local, long-time residents who may be interested in taking space at the garden. Thanks to these efforts, we now have more Latinx, Asian and other BIPOC community members at the garden.

In November of this year, I also organized and executed the first ever Dia de Los Muertos festivities at the garden. As a person of indigenous roots, it was very important for me to have the garden blessed with a ceremony.

“There is of course a lot more work that needs to be done.”

Motions currently being considered by the board are publishing social media biographies of the leadership team, making motions available to the public, allowing garden members to sit in on leadership team meetings, and creating a yearly diversity report, as well as Tongva land acknowledgement. All these motions are an effort to further increase diversity, transparency, and accountability at the garden, and I hope to see each of these motions pass by the end of the year.

To the recently-arrived white community in East Hollywood, I invite you to reflect on words such as community and food justice. What does community mean to you? I encourage you to use your privilege to create more access for communities and food justice for communities of color. You don’t need to go far to see racial disparity. According to some of the most recent figures, East Hollywood is comprised of 24% whites, yet they made up over 50% of the people assigned plots at the garden.

“These types of disparities don’t go away with a Biden win.”


After many conversations with the board at Madison Ave Community Garden, as well as with board members for other similar gardens across Los Angeles, I’ve realized that “food justice” is a term that is now widely tossed around in discussions about inclusivity. However, if the garden is not made accessible to BIPOC communities in Los Angeles, and if equity is not a part of the garden’s mission, then there can be no such justice.

To the Black, Indigenous, Latinx and Asian communities in East Hollywood and beyond, I invite you to reflect about the work that we do in Los Angeles. Do we work to keep building those same systems that favor the few, or do we to help build a new system, where all of us have access? Tongva land acknowledgement, for example, shouldn’t even have to be made into a motion. It should be a given. Yet when necessary, we ourselves must speak up about our work and our heritage so that others don’t take credit for our critical contributions to the communities we help make and cultivate.

Baby tomatoes at Madison Ave Community Garden in East Hollywood – April 2020

Work has been hard. I put in over 2,000 volunteer hours at the garden, or the equivalent of $50,000 worth of work over a year and a half. My term isn’t officially over until July 2021, but I now believe it’s time for someone else to take on the role of Lead Community Gardener for the space. My hope is that the next board member in this role will also have diversity as a top priority.

It has been an honor to serve this community and watch it grow, and I now look forward to meeting again in the days ahead for more work in equity and inclusion in Los Angeles.

H.L.

Heleo Levya is a leading community chef and gardener in East Hollywood. He holds a Bachelor of Science with a concentration in Finance from Cal State University, Long Beach. In his senior year, he was admitted to the Student Managed Investment Fund, a one-year finance honors like program in which he managed real portfolios consisting of over $750k. His work was recently covered by This Side of Hoover, Eater, and the L.A. Times.

The book cover for Mike the Poet's Letters to My City, published in 2019

Letters To My City (2019)

Through a tremendous last couple of weeks between the Los Angeles Review of Books workshop, the new Los Cuentos Book Club, and more for your truly, I just finished Mike the Poet’s L.A.’s Letters to My City. By the turn of the final page, I both see it and hear it. Sonsken’s ‘letters’ are not just prose, but also songs from the heart to all comers. Most of all, they’re a tribute to those who’ve been here, as Sonsken shows no fear celebrating L.A.’s Black, Indigenous, Asian, Native & Latinx roots. His book can thus be thought of as an invitation for poets, writers, and anyone interested in uplifting this city and keeping its history sacred.

Sonsken’s writing also consistently understands that he’s not the guiding hand, but that his is one led by the voices of others, those around him who uncover or pay heed to the roots. It comes off as a round-table discussion, a gathering of minds from across L.A., but abundant especially with folks from the South and East sides, as well as with folks from less discussed “L.A.” like Long Beach, Oxnard and even Cerritos and the OC. It is a call for Los Angeles’s artists and all creators to come together with major respect to the city, to the communities and stories which form the heartbeat of this sometimes totally cruel, sometimes surreal town. Los Cuentos sees this, and I look forward to passing Mike’s book along to the next generation of historians with major visions for our city.

Towards the end the book also leads to more questions. For one, I found myself reflecting on reparations awarded to Japanese-Americans in Los Angeles who faced internment. In a closing vignette on Little Tokyo’s history and a Buddhist temple in the area Mike writes:

A key component of Japanese religion and culture is the idea of ancestor veneration, essentially the idea of gratitude to your family and specifically appreciating one’s ancestors.

I thought then of the enslaved, and those whose lives were uprooted and taken by genocide and U.S. imperialism. I seriously wondered: where is the discussion in L.A. on reparations for African-American, Native, and also Mexican bodies? These are our ancestors, and there are more, in and even beyond America. I believe Sonsken would agree for a need to come together and discuss this, and that, at least in L.A., his book is certainly one way to start.

J.T.

The official flyer for the first ever Los Cuentos Summer Book Club

Did you hear? Our meeting for the first ever Los Cuentos Summer Book Club was LIT

Our first meeting for the Los Cuentos Book Club this past Wednesday was a success, with 9 attendants, predominantly muxeres, from places like East & South Los Angeles, and even San Bernardino. Our discussion for LA SIGUANABA and The Magical Loroco was over an hour long, serving as an “online venue” for community engagement with literature made just for them.

Our club now just needs a small push or ‘jale’ to cover the cost of our books, which we’ve handed free of charge to each of our participants in an effort to be inclusive, and which we’ve purchased directly from the author in order to continue shopping from & supporting local artists in Los Angeles. As always, any donation or sharing the campaign with a friend will be of great support, and we can assure you to make it go a long, long way!

Our Book Club will hold its second meeting next Wednesday, July 22nd, and did you hear? Every supporter of our club is more than welcome to attend. To donate, you can find our fundraiser HERE.

J.T.

Pandemic in Los Angeles: Day 46

For the 46th column, I’d like to lend attention to another blog in the city of Los Angeles, Slauson Girl: World News with a South Central State of Mind, whose voice is particularly resonant during this time.

Over 28 years since four LAPD officers were acquitted despite fracturing a man’s skull, breaking his bones and teeth, and leaving him with permanent brain damage in a traffic stop of nightmares, leading residents to take to L.A.’s streets in outrage, it gives me chills to consider how if it weren’t for nine minutes of video, the assault “would otherwise have been a violent, but soon forgotten, encounter between Los Angeles police and Rodney King.”

Today the ability to consume video and photography is all around us and seemingly infinite. But in 1992, footage of King’s powerlessness, considered by many to be “the first viral video” of the modern era, was an anomalous union of technology and the will to use technology to inform the public of a flagrant abuse of power. The video would change the world, even if only for a moment, since many of Los Angeles’s institutions, including the LAPD, would continue using racist policies against communities of color, which is still the case today.

But this is why today’s voices “on the front lines” are as important as they were 28 years ago. Slauson Girl, who is a native of the historic South Central Los Angeles, is pursuing justice for this segment of Los Angeles as a community-based reporter and commentator. At her website and podcast, she discusses not only lessons from Rodney King, but also the ongoing displacement of Black culture in L.A. development projects, which continue favoring wealthier wallets over the essential Black workers whose time and labor create that wealth, as well as over Black businesses during the time of Coronavirus, the passing of Nipsey Hussle, and more.

It’s imperative for J.T. the L.A. Storyteller to uplift more voices in Los Angeles such as Slauson Girl’s, and so readers are encouraged to head on over to SG’s site to learn more about this historic part of Our City.

J.T.

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Pandemic in Los Angeles: Day 40

The mayor of Los Angeles announced earlier this evening that delivery drivers, as well as taxi and other transportation workers like Uber and Lyft drivers, can now be tested for coronavirus, whether they show symptoms or not, in a sign of increased testing capabilities for L.A. county.

On the other hand, earlier in the same day, LAUSD’s Superintendent Austin Beutner announced that reopening schools come fall for the district’s communities would be a gradual process, contingent most of all on one thing: access to testing for COVID-19, not only for the district’s employees, of which there are nearly 75,000, but also for the students they serve, whose numbers, combined with those of their families or households, can reach up to 1,000,000 in Los Angeles.

What kind of access schools will have to testing for the virus is an obviously major question that the superintendent is right to pose publicly; only a few days ago, more than a month after the shutdown orders went into effect in California, L.A. County announced that its testing rates have finally reached the capacity to test up to 11,000 people a day.

But while 11,000 tests a day is a key step forward for the county, it’s also just 1.1% of Beutner’s one million. Moreover, as the superintendent noted in his update, we need to know “who” will pay for over a million tests. Obviously, the answer should be that it’s the state who will pay for it, but thus far, there have been scant details from Governor Newsom as to how schools in the Golden State will resume the school-day come the months of August and September, during which LAUSD will not be the only school district in need; charter schools in California, which are not managed by traditional school districts such as LAUSD, and which oversee nearly 630,000 students in the state, will also need access to testing for the virus this fall.

In other words, it’s all quite a bit of homework that requires time, debate, and consensus building with educators, staff and families alike; if the process is circumvented for “quick fixes,” as such things have been before, then the temporary solutions will once again prove costly over the long term, as this pandemic is making clear of decades of disinvestment in the public infrastructure.

Even so, however the story goes, I believe we’re uncovering something critical, Los Angeles. That is, that we’re witnessing first-hand what our state is capable of–and what it still falls short of–when it puts its best minds to the task of addressing all of the citizenry at a truly basic level.

I believe that many people will continue being dissatisfied with the slow process and progress of their government, and that if the protests against Governor Newsom’s stay home orders show anything, it’s that many Californians aren’t at all interested in the general health of the state, but just in their own.

But beyond that, I also believe that all of this showing will allow many of us to consider and visualize what government can still look like in future days to come because it’s important for us to do just that. I believe that whatever failures are seen today, are what those of us leading for tomorrow can turn into successes.

As always, I believe in the next day, the next cuento, and that I’m not alone in this.

I believe Los Angeles will believe with me.

J.T.

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