Deed Restrictions in Los Feliz and East Hollywood

T-RACES, or the Testbed for the Redlining Archives of California’s Exclusionary Spaces, is a powerful map and treasure cove of historical documents whose archives contain ‘area descriptions’ of L.A. neighborhoods as seen by former L.A. county and federal officials of the national Home Owners’ Loan Corporation (HOLC); basically, these officials distinguished which areas were “desirable” and which were “undesirable” for investment from private banks and government loans based on the areas’ racial makeup.

I’ve gathered a few of the area descriptions of the “Los Feliz” and “East Hollywood” neighborhoods, respectively, all of them dated from 1939. It’s fascinating to see the old vecindades distinguished by their racial and class makeup. For example, in the Los Feliz neighborhood, the absence of “foreign families” or “negros” based on the “deed restrictions” banning their presence, as well as single-family residential zoning, led to a “high green” or attractive rating for the HOLC:

“[In Los Feliz] …Deed restrictions cover both improvement costs and racial elements. Zoning is single-family residential. Conveniences are as available as is desirable in a multi-car garage neighborhood. This area was subdivided some 15 years ago, and was engineered and platted to contour resulting in well arranged and improved streets. Construction, maintenance and architectural designs are of the highest quality. Population is of a high character and many of the city’ s wealthiest citizens reside here. Values shown above are somewhat conjectural as size and location of homesite affects prices. This also applies to rentals as quality of tenant is a large consideration. With a convenient location, ideal building sites and high caliber deed restrictions, this area should continue indefinitely to attract a substantial type of resident. On the basis of present development and future prospects area is accorded a “high green ” grade.”

By contrast, in East Hollywood, to the Western Side of the area, because of the ‘concentration of Jewish families,’ along with 5 & 6 room dwellings, or apartment buildings with 5 to 6 units, a “medial yellow” or “only fairly” attractive grade was accorded.

“[In East Hollywood] …There are no deed restrictions and zoning, while mainly single-family, also permits all types of multi-family residential structures in different parts and is also “spot zoned” for business and provides for numerous institutional developments. Two of the largest hospitals in the city are located within the area. Conveniences are all readily available. This area was originally largely occupied by the old Sullivan Farm and was subdivided approximately 25 years ago. Divided by and surrounded with business thoroughfares this far-flung area contains a miscellaneous array of multi-family residential development; however, the pre-dominating type of residence is 5 & 6 room dwellings which are generally of standard construction and fairly well maintained. It is said to be one of the community’s best rental districts. Rumors of scattered Japanese and Negro residents were not confirmed as none were located except upon the business thoroughfares. There is a concentration of Jewish families between Melrose and Santa Monica Blvd. east of Western Avenue. The population in general is heterogeneous, as is also the aspects of the improvements. There is a fair percentage of owner occupancy and many homes are still occupied by original owners. There is a decided trend at present toward business and income properties; however, it is thought that the major part of the area will remain predominantly single-family for many years to come. The area is accorded a “medial yellow” grade.”

Such standards beg the question, just who was the HOLC describing these conditions to? That is, just who determined that ‘negros,’ ‘foreign’ and ‘Jewish’ people and their dwellings reduced the overall quality of life? In literature it’s called the white gaze, or the white imagination that dictates a certain narrative or reality as though it were a universal understanding, when in fact nothing could be further from the truth.

“Los Angeles and Vicinity – Residential Security Map”

With these frameworks in mind, I was excited to read about just how the vecindad my family and I would come to call home during the eighties when mom and pops arrived here fared ‘in the ratings.’

In the eyes of the HOLC, East Hollywood towards the East side was considered ‘blighted’ for 15% of its residency consisting of ‘foreign’ families, and for 10% of it consisting of ‘negros,’ as well as for the neighborhood’s multiple family dwellings and bungalows. This led to a “medial red” rating, meaning bank lenders were advised against issuing loans for homeowners or prospective homeowners here.

“[In East Hollywood] …The few deed restrictions which have not expired are irregular and largely non-effective. The major portion of area is zoned for single family dwellings, but multiple family dwellings are permitted in scattered sections. Conveniences are all readily available. This district was subdivided over 25 years ago as a popular price home district and has largely maintained the characteristics. Many of the improvements are of substandard construction and maintenance is spotted, being generally of a poor quality. Scattered throughout the area are a number of small “B” grade apartments, bungalow courts and other multi-family dwellings. The population is highly heterogeneous with more than a sprinkling of subversive racial elements, there being several concentrations of Japanese and Negroes within the district. There is also quite a Jewish population adjacent to the synagogue which is located in the northern part. While by no means a slum district, the area is definitely blighted and is accorded a “medial red” grade.”

On the one hand, it’s astounding to think that there used to be more Japanese and Black people in the neighborhood. But it’s also sobering to consider how World War II and the Japanese interment which followed violently displaced such communities from the area. When one considers these events and the subsequent or concurrent modernization that followed or accompanied the war, such as the building of L.A.’s first freeway in America in the Arroyo Seco Parkway in 1940, one can see how modern development has always been a matter of some violence on communities and restrictions of their space for the benefit of wealthier, more privileged groups.

It’s rarely ever easy to take another field trip through the historical foundations which led to our modern dilemmas with access to space in the inner city. But in order to know where we’re going, we have to know where we come from, Los Angeles.

J.T.

Redlining in Los Angeles

The Los Angeles we know in the 21st century is not just some place that arrived from out of the blue one summer day, but an environment built out through specifically racist laws, designations, and customs over decades, especially during the 20th century. During the 1960s, subsequent waves of civil unrest against such policies struck in several U.S. cities, among them in Watts, Newark, and Detroit.

In 1965, a traffic stop by white police officers in the community of Watts led to the arrest of two Black men, Marquette and Ronald Frye, and even their mother, Rena Frye, which angered a nearby crowd of predominantly Black residents, who witnessed the police officers roughhousing the family. When more officers arrived, who used their batons to threaten the crowd back, they fanned the flames of what would turn into six days of a war-zone in Watts, leaving 34 people dead, including at least 26 civilians killed by the LAPD and the National Guard, overwhelmingly Black but also including Latino residents, all of whose deaths were deemed by police forces as justifiable homicides.

When the people of Watts took to attacking police cars and looting storefronts over six days of unrest, was it strictly a matter of Black people protesting police violence? It was not, because police violence had a certain way of being located in a handful of neighborhoods over others. Enter the redlining practice.

Redlining in Los Angeles

In L.A., as in “sister” cities, redlining was a discriminatory practice by the Home Owners Loan Corporation, which was a federal government entity supposed to oversee housing for all Americans, that dissuaded loan services or bank assistance to African-Americans and other minorities for home-ownership based on how “desirable” or white their areas appeared on a racial map, shown partly in the shaded areas below.

Redlining Los Angeles - UCLA Luskin

“The Home Owners Loan Corporation designated minority neighborhoods (those shaded in black and gray in the map in this section) as being unfit for home financing, which, with racially restrictive covenants, excluded people of color from the housing boom that afforded many white households their first house.”

SOUTH LOS ANGELES | SINCE THE SIXTIES BY PAUL M. ONG, ANDRE COMANDON, ALYCIA CHENG, SILVIA R. GONZÁLEZ

How were such racial maps created? As Mike Davis points out, the racial makeup of many neighborhoods in L.A. were formed by racial covenants, or Klansmen sympathizers and supporters in Los Angeles who exerted pressure on Blacks, Asians, Jews and others to keep out of what were then white neighborhoods in the city.

The absence of explicit Jim Crow segregation laws in a northern city like L.A. notwithstanding then, racial covenants were most active and effective during the early 1920s up until just before the 1950s. Thus, for African-American children born in Watts during the 1950s, the predominantly Black and under-served population of their community wasn’t spontaneously located there, but forced to live there due to racist policies, not to mention racist judges looking the other way on those policies.

The Kerner Report

In 1967, less than two years after the war-zone in Watts, a police-raid at a Black-owned night club in Detroit led to the arrest of up to 85 African-Americans, which then quickly escalated into racial rioting throughout the city. After five days, at least 43 people were killed and thousands more were injured. In response, president Lyndon B. Johnson called for action, including the formation of the Kerner commission, whose task was to examine the root cause of the rioting, as well as ways to prevent more such violence going forward. Among the commission’s findings, when it came to the issue of housing inequality for nonwhites in the United States, it found that:

“[C]ondemned by segregation and poverty to live in the decaying slums of our central cities, the goal of a decent home and suitable environment is as far distant as ever.”

U.S. National Advisory Commission on Civil Disorders, 1967

In our major cities, that condemnation was due precisely to redlining. Redlining concentrated home loans in predominantly white neighborhoods while restricting them from those of ethnic minorities, leaving only poverty to concentrate in the latter. Enter the resentment. Then, the rebellion.

In 2018, any Angeleno taking a walk through neighborhoods like Watts can still feel the legacy of L.A.’s redlining, and the relative lack of accountability concerning the issue, as well as the anger and frustration towards such acts of sabotage and abandon against a people and their community.

Yet with reports such as UCLA Luskin’s South L.A. Since The Sixties, examining how much “progress” the city has made in Watts and South Los Angeles since the Kerner report and other studies, the spirit of Mike Davis’s City of Quartz lives on. From there, our work is not done, but it continues.

J.T.

South Los Angeles since The Sixties

UCLA Luskin - SLA.png

“More than a half century since the Kerner Commission, the history of
South Los Angeles continues to be laden with broken promises and only
modest improvements. Despite the huge efforts of residents, activists
and others, the burden of under-investment and neglect continue to
limit economic opportunity for too many Angelenos. This prescient
report serves as an important reminder of the profound challenges
that remain.”

We have to know this, Los Angeles.

J.T.

Waiting Again, Los Angeles

We wait and we wait and we wait. Patiently. Lovingly. Anguished.

We wait for our schools to be safe,
For our streets to be cleaned,
For our
vecindades to have jobs,
And for our families to walk through these spaces without being criminalized.

We wait for newcomers to stop leering at us as if we entered their havens.
For our landlords to answer our calls,
For the faucets to have clean water and our roofs to stop caving in on us every time it rains,
And for real estate agents to stop selling out the only places we call home.

We wait for the clinics to admit us without first labeling us,
For our doctors to work with instead of just getting rid of us,
For our ‘coverage’ to stay put without our having to reapply,
And for healthcare that isn’t based on our (in)ability to pay.

We wait for the few jobs we do have to pay livable wages,
For our superiors at work to stop bullying us,
For interviewers to stop merely using our names to cross off some checklist,
And to work to uplifit our communities rather than to addict them.

We wait for billionaires to stop bloating our veins,
For ‘checks and balances’ to check and balance the polluters,
For the GMs and the Coca Colas, to be reined in,
And for ‘leaders’ who don’t call for these things only when it’s election season.

We also wait for the courts to stop feeding on our bodies as these other waits hold,
For any allies in our resistance in these struggles to view us as partners, not collateral,
We wait for this other way of life to finally arrive,
And we wait for it to get here before it’s too late for one more of our babies.

We wait patiently. Lovingly. Anguished.

But the past has yet to die.

When is it time, Los Angeles.

J.T.

Open Mic Saturday at Cahuenga Library: A Community’s Achievement

 

After a momentous two-hour event with everyone for the first ever Open Mic hour at the Cahuenga branch library this past Saturday, April 14th, 2018, I realized something: each of us who participated, from the Open Mic hour poets, to our Featured Languages trio, and from the Friends of Cahuenga team, to the team of volunteers the day of and the locals who came by: we were not just participants in the event, but partners in it.

In seeing one another, we completed one another, and for this reason it’s my pleasure to share these photos from the event with the site. Pictures include ‘build-up’ photos of Cahuenga’s surrounding area, as well as a few shots of the volunteers who helped organize the space. Also included are a couple of pictures of the Open Mic performances, and a final group photo. Hashtags I’ve used for these pictures include:

#Multilingual, #Tongvalands, #RanchoCahuenga, #OpenMicCahuenga, #Immigrant, #Black, #Queer, #Resilience, and #LAPL #Stories. I’ve applied these terms in an effort to have more of the ‘identities’ implied by them reflected at our local libraries. If any of you are so inclined, it’d be great to have you all grow these and any additionally inclusive tags with me.

The final photo in this column is a picture of the beautiful mural painted at the corner of Virgil Avenue and Burns Street in memory of Jesse, the late ‘hijo, tio, and hermano‘ of the community who attendants learned of in one of the proudest and most important moments of our gathering: when a long-time member of la vecindad took the courageous step of making a stand for her loved one before everyone in attendance.

Thank you, M, once again. The strength of your heart, like the power of your voice, is what keeps this vecindad and others like it going all across Los Angeles. Moving forward, please consider our Open Mic and other events like it your events and that of all of our pueblo’s: mamas, papas, and abuelitas included.

I would also like to say thank you to those who couldn’t make it to the event but who expressed interest or support for its success, as well as those peers and friends who we hope to see at the next one, which will have to happen; after so much unity in the community for the Open Mic, I’ve got a feeling we’ll be seeing more events like it at the library. But, one step at a time.

To be sure, following Saturday what’s clear is that of course our communities need more events like these. It’s going to take some work though, which is to say more organizing, and that can only be accomplished with more unity in the community, which is to say, your voices.

To that end, for those interested, I will be sure to follow up regarding the next Friends of Cahuenga board meeting. In the meantime, please enjoy the rest of National Poetry month, and for anyone who needs the pictures through another medium, just let me know and I’ll be happy to reach out accordingly.

Yours L.A.,

J.T.